Throughout this page we are also focused on the best possible display calibration, as is attained via a 3D LUT using ColourSpace. However, after reading this page it should be apparent that better colour workflows can be attained for use in any industry if the display is self-calibrated to a highly accurate level using a 3D LUT, with the 'display' ICC profile reduced to a simple colour space definition, as is outlined at the end of the page. It makes no attempt to assess the suitability of ICC profiles for use in any other industry. This enables far simpler, but far more accurate, colour management to be used, where the display device (display/monitor/projector) is calibrated to a given standard in isolation of any and all input sources.Īs a result, understanding ICC profiles can be extremely difficult for those used to the far simpler, and far more accurate, 3D LUT based approach to colour and look management, as used within the film and TV industry.īy necessity, this page highlights the limitations and issues of ICC based 'display calibration' for use in the Film & TV industry. The film and TV industry relies on a far higher level of colour matching accuracy, due to the similarity of all viewing mediums and environments. More importantly, the level of colour accuracy required for ICC profile operation for these companies and individuals doesn't match those of the film and TV industry, as the majority of the requirements have come from the print world, where colour accuracy is more subjective than absolute, due to the inexact nature of attempting to match different reflective print mediums while viewing source images on a direct display monitor. The ICC profile was developed by a large number of companies and individuals, from a range of different industries, all with varying requirements and needs, resulting by necessity in a complex workflow solution that contains a large number of options, variations, and functions.
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